Malou airaudo biography of martin

  • She appeared at international festivals with her programme of songs and contributed to choreographies by artists such as Raimund Hoghe, Malou Airaudo and Michel.
  • During his studies, he worked with choreographers such as Malou Airaudo, Giorgia Maddamma and Evangelos Poulinas and danced as a guest both at the FTS and at.
  • Even when I don't see them for three years at a time they're still my bosom chums.

    • •

    Clémentine Deluy

    Clémentine Deluy was born in 1978 in Marseille.

    She began her classical dance education at the Ecole Nationale dem Marseille. Her teacher Larrio Ekson opened her gaze to contemporary dance. A turning point in her dance education.

    In 1995 she decided to orient herself towards contemporary dance and joined the same year the Conservatoire Supérieur dem Musique et Danse of Lyon. In 1998, Clémentine moved to Germany to integrate the Folkwang Universität der Künste in Essen-Werden where she met Malou Airaudo who will be for Clémentine a turning point in her dance education. During her time in Essen she studied with teachers such as Dominique Mercy, Lutz Förster, Jean Cébron and Libby Nye.

    In this period she dived into the world of Pina and enriched her knowledge of Pina Bausch’s works watching many performances in Wuppertal.

    In 2001, Clémentine graduated from the Folkwang Universität der Künste in Essen-Werden. In 2002, while finishing her studies at the Folkwang Hochs

    •

    Interview with Anne Martin, 20/2/2019 (2/2)

    The dancers of the Tanztheater Wuppertal, like in many other German theatres were required to also perform in other productions as well, notably Opera and Musicals. Pina Bausch was able to eventually change these conditions, freeing her dancers to concentrate in the dance work. Anne Martin relates the process of creating pieces to both, the pulse of their time and her personal experiences. Gebirge, Viktor, Ahnen are commented in this interview. How her artistic interests developed after she left the company, immersed herself in music making, and eventually refound dance and teaching is described in the last part of this second day of interviews.

    The interview was conducted in German and is available in English translation.

    © Pina Bausch Foundation

    IntervieweeAnne Martin
    InterviewerRicardo Viviani
    Camera operatorSala Seddiki
    TranscriptionRicardo Viviani

    Permalink:
    https://archives.pinabausch.org/id/201

    •

    Information

    1976 to 1978

    engaged by Gigi-Gheorghe Caciuleanu at the Grand Théâtre in Nancy (France)

    1978 to 1991

    engaged at Tanztheater Wuppertal Pina Bausch

    Biography

    Anne Martin

    was born in Rolle, Switzerland, in 1953 and studied music from 1969 to 1973 at the Conservatoire de Lausanne (piano with Denise Bidal) as well as ballet with Philippe Dahlmann. In 1973 she began a three-year dance degree at Rosella Hightower’s Centre international de danse in Cannes. Her first work as a dancer was from 1976 to 1978 with Gigi-Gheorghe Caciuléanu at the Grand Théâtre in Nancy. When she first saw the work of Pina Bausch she immediately felt at home. In 1978 Pina Bausch invited her to join the company in Wuppertal.

    A keen eye

    Like most new members, she first learned the repertoire; Kontakthof was to be the first production where Anne Martin was part of the creative process. She dived headlong into the work. Much of the time she didn’t give too much thought to

  • malou airaudo biography of martin