Lordan zafranovic biography of albert
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SPLIT FILM FESTIVAL
Croatia's Bronx goes avant garde
4th Festival of New Film
Despite a history of heroin abuse, football violence and right-wing extremism on the one grabb and classical culture on the other, Split hosts an important festival of new and experimental rulle and film, as Jurica Pavičić reports.
Split is the second biggest Croatian city, a tourist and industrial center with , inhabitants situated in the huvud area of the eastern Adriatic coast, in the region of Dalmatia, known as the (probably inauthentic) homeland of Disney's spotted dogs.
Split fryst vatten also a city of significant controversies. It fryst vatten one of the most beautiful Mediterranean historic centers. At the same time, it fryst vatten a city notorious for it's urban socio-pathology, which unites typical east-European maladies with those typically Mediterranean. Within Croatian culture, Split's role fryst vatten similar to that of Naples in an Italian context: a cit
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Lola On Film
This was my MA dissertation (Birkbeck, ), examining the dark heart of laughter and the symbiotic relationship film has with its audiences, how it wires us to think and talk in certain ways, its cultural impact, and its myriad semiotic and cinematic legacies a bungy jump into the Serbian (and Yugoslavian) s cinema scene, specifically, four films, and two filmmakers Slobodan Šijan and Dušan Kovačević. Grateful for the guidance of my tutor prof. Laura Mulvey, as well as tickled for making several ace film scholars giggle watching these diamonds which, other than graduating, was a true pleasure. Lucky, too, that I had support from the University of Novi Sad in disseminating questionnaires on film references a big thank you to them, and special kudos to all the people who participated. One day I might programme this whole bonanza into a fest, the way I writ it from Yugoslav Black Wave to Balkans Black Humour Brand, secure some funding, and scree
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Stradun (Dubrovnik, Croatia)
Stradun (Dubrovnik, Croatia)
In its hundred-year-long cinematic history, the streets, city walls and palaces of Dubrovnik have provided inspiration to numerous filmmakers. Dubrovnik’s well-preserved and unique architectural harmony, particularly its main pedestrian street, Stradun (today’s appearance of which dates back to the 17th century), offer an abundance of filmic expressions.
Thus, the cavalry of the Mexican army passes down Stradun in the Euro-western, THE TASTE OF VIOLENCE by Robert Hossein (), while some time later the Fascist occupation army does the same in the Yugoslav film OCCUPATION IN 26 PICTURES by Lordan Zafranovic (), based on historical events of World War II. With minimal modifications, Stradun is easily transformed into Goya’s Madrid (GOYA, OR THE HARD PATH OF KNOWLEDGE by Konrad Wolf, ) or papal Rome (THE POPE MUST DIE by Peter Richardson, ).
It is also frequented by well-known superheroes, in CAPTAIN AMERICA by Albert Pyun (), and the somewhat